Greeting the viewer to the "I Refuse to Wear Clothes" episode are Adara and Amanda, two blond, shapely women, who--surprise!--prefer to conduct their daily affairs sans wardrobe. This is the only video in the Jerry Springer home video series that is actually a full-length show, rather than just clipped highlights. Adara works and lives without a stitch of clothing to sheathe her body. Grocery shopping, walking around town, working as half of the duo entitled Scandalous, Adara simply feels it is more natural and more comfortable to be nude. Sitting on the stage, wearing nothing but thigh-high lace-up boots, she makes the case for nudity. While her boyfriend is supportive, her mother and sister are less than enthusiastic. Her tearful mother pleads with her to cover up, and her brother-in-law hurls invectives her way. She is soon joined by best friend Amanda, whose boyfriend confronts her with the ultimatum: it's either me or your nudity. This isn't, by far, the most shocking of Jerry Springer's TV talk shows; only one mild fight breaks out. But it is rather startling to see these two Lady Godivas amidst the clothed crowd. --Jenny BrownPrice: $14.99
Breasts and brawls. Brawls and breasts. That pretty much sums up what this volume of the Jerry Springer home collection is all about. If you've ever wondered what's going on behind those black bars or beneath all those bleeps, this video lays it bare (and we mean that literally). As Jerry says in the beginning of the show, sometimes "the guests go too far." When that happens, chairs start flying, breasts expose themselves, and the bouncers need to get involved. This video is not for the faint of heart--especially when a particularly large woman ('nuff said there) begins covering herself with chocolate sauce, whipped cream, and maraschino cherries for the dining pleasure of the gentleman entranced with her overly voluptuous figure. You want more? Then make sure you catch the 10 bonus minutes of "extra hot footage"--meaning of course it's 10 minutes of all breasts all the time. Highlights on this video include clips from "My Sister Slept with My Three Husbands," "I Want a Sexy Job," and "My Dream Is to Pose Nude." And believe us, their dreams were fulfilled! --Jenny Brown
A worthy companion piece to 1991's Boyz N the Hood, John Singleton's Baby Boy expresses compassionate but unforgiving criticism of young, African American black men who lead reckless, irresponsible lives while blithely blaming racism for their chronic disadvantage. That's already enough to make this a provocative and emotionally challenging film, but Singleton injects his drama with such passionate vitality that it never seems inflammatory; instead, in presenting this portrait of a confused and conflicted 20-year-old black man named Jody (Tyrese Gibson), Singleton is both affectionate and accusatory, lending Baby Boy an edgy, timeless wisdom that other, less courageous films could never hope to offer.
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A worthy companion piece to 1991's Boyz N the Hood, John Singleton's Baby Boy expresses compassionate but unforgiving criticism of young, African American black men who lead reckless, irresponsible lives while blithely blaming racism for their chronic disadvantage. That's already enough to make this a provocative and emotionally challenging film, but Singleton injects his drama with such passionate vitality that it never seems inflammatory; instead, in presenting this portrait of a confused and conflicted 20-year-old black man named Jody (Tyrese Gibson), Singleton is both affectionate and accusatory, lending Baby Boy an edgy, timeless wisdom that other, less courageous films could never hope to offer.